Aperture Foundation | Aperture 200

Originally Posted By lapuravidagallery

“i heart photograph: Some Questions - Alec Soth”

lapuravidagallery:

What are your opinions on the idea of the Internet as replacement for critique space? As replacement for museum or gallery? Jpeg as replacement for physical art object? Tumblr as replacement for curation?

Fine for others, whatever, but I still like physical stuff. The pleasure of being a photographer is having an excuse to wander out into the world. I’ve come to think of the process as being like web-surfing in the real world. And I still like to make physical stuff at the end of this process like books and prints. But I have no problem with people choosing to experience the world in virtual space. (Did I mention I’m old).

via i heart photograph: Some Questions - Alec Soth

The End of Summer « LITTLE BROWN MUSHROOM BLOG
Alec Soth doesn’t ever stop

photo-eye | BLOG: More Info on Todd Hido’s Newest Publication: Nymph Daughters
Nymph Daughters
Photographs by Todd Hido.
Super Labo, 2010. 32 pp., Color illustrations throughout, 7¼x10”.
Read a review on the Photo-eye Blog

photo-eye | BLOG: More Info on Todd Hido’s Newest Publication: Nymph Daughters

Nymph Daughters

Photographs by Todd Hido.

Super Labo, 2010. 32 pp., Color illustrations throughout, 7¼x10”.

Read a review on the Photo-eye Blog

Originally Posted By rvamag

(via rvamag) RVA Mag’s new magazine format looks great and feels good in the hands. If your ever in Richmond VA make sure to find one of these free zines floating around the city. Over the years they have done a great job covering the RVA scene, from arts, to music, and the cultures that follow. I am excited to see them move forward with a fresh new look. Did I mention its free too!

(via rvamag) RVA Mag’s new magazine format looks great and feels good in the hands. If your ever in Richmond VA make sure to find one of these free zines floating around the city. Over the years they have done a great job covering the RVA scene, from arts, to music, and the cultures that follow. I am excited to see them move forward with a fresh new look. Did I mention its free too!

Aperture Foundation | Events | Richard Misrach: After Katrina

Originally Posted By eyecurious

eyecurious:

Today is the 65th anniversary of the atomic bombing of Hiroshima. I’ve taken the time today to look through a few of the extraordinary books that have been made on Hiroshima and I thought I would share a few. 

Hiromi Tsuchida, Hiroshima Collection

Tsuchida is the photographer who has returned the most consistently to Hiroshima as a subject since the 1970s. He has published several books on the subject. Hiroshima Collection is made up of photographs that he took of the collection of the Hiroshima Peace Memorial Museum. The captions include descriptions of the objects and their owners. There is an online archive of his images of Hiroshima here.

Originally Posted By ahrens-editions

A Glimpse at Photo Books in History

Great list of photography books, thanks for putting it together! Missing a couple of important books though (ex: Stephen Shore’s “Uncommon Places” – 1982) 

ahrens-editions:

This is a partial list of the seminal photo books in the history of photography. The information on this list is drawn from “Book of 101 Books, The: Seminal Photographic Books of the Twentieth Century”.

1907 - Edward Curtis: “The North American Indian, Volume One”

1909 - Alvin Langdon Coburn: “London”

1911 - Alfred Stieglitz: “Camera Work, Number XXXVI”

1917 - Paul Strand: “Camera Work, Number XLIX, Number L”

1925 - László Moholy-Nagy: “Malerei Fotografie Film”

1927 - Germaine Krull: “Métal”

1928 - Karl Blossfeldt: “Urformen der Kunst”; Albert Renger-Patzsch: “Die Welt ist Schön”

1929 - August Sander: “Antlitz der Zeit”; Edward Steichen and Carl Sandburg: “Steichen The Photographer”

1930 - Ansel Adams: “Taos Pueblo”; Eugène Atget: “Atget Photographe de Paris”; Claude Cahun: “Aveux non Avenus”; František Drtikol: “Zena ve Svetle”

1931 - Max Ernst and René Crevel: “Mr. Knife Miss Fork”; Helmar Lerski: “Köpfe des Alltags Moï Ver Paris”; Erich Salomon: “Beruhmte Zeitgenossen”

1933 - Brassai: “Paris de Nuit”; Doris Ullman and Julia Peterkin: “Roll, Jordan, Roll”

1934 - Man Ray and James Thrall Soby: “Man Ray Photographs 1920-1934”

1935 - El Lissitzky: “Industriia sotsializma”; Man Ray and Paul Éluard: “Facile”

1936 - Hans Bellmer: “La poupée “; Bill Brandt: “The English at Home”; Georges Hugnet: “La Septième face du dé”

1937 - Margaret Bourke-White and Erskine Caldwell: “You Have Seen Their Faces”; Leni Riefenstahl: “Schönheit im olympischen Kampf”

1938 - Walker Evans: “American Photographs”

1939 - Berenice Abbott: “Changing New York”; Dorothea Lange and Paul Schuster Taylor: “An American Exodus”

1941 - Walker Evans and James Agee: “Let Us Now Praise Famous Men”

1945 - Alexey Brodovitch: “Ballet”; André Kertész: “Day of Paris”; Jindrich Styrsky and Jindrich Heisler: “Na jehlach techto dni”; Weegee: “Naked City”

1946 - Wright Morris: “The Inhabitants”; Zdenek Tmej: “Abeceda”

1947 - Robert Capa: “Slightly Out of Focus”; Edward Weston: “Fifty Photographs”

1949 - Robert Doisneau and Blaise Cendrars: “La Banlieue de Paris”

1952 - Henri Cartier-Bresson: “The Decisive Moment”; Paul Strand and Claude Roy: “La France de Profil”

1955 - Roy DeCarava and Langston Hughes: “The Sweet Flypaper of Life”

1956 - William Klein: “Life Is Good & Good for You in New York”; Josef Sudek: “Josef Sudek Fotografie”; Ed Van der Elsken: “Love on the Left Bank”

1959 - Richard Avedon and Truman Capote: “Observations”; Robert Frank: “The Americans”; Aaron Siskind: “Photographs”; Ed Van der Elsken: “Jazz”

1960 - Irving Penn: “Moments Preserved”

1961 - Bill Brandt: “Perspective of Nudes”

1962 - Frederick Sommer: “Frederick Sommer 1939-1962 Photographs”

1963 - Eikoh Hosoe and Yukio Mishima: “Killed by Roses”

1964 - Harry Callahan: “Photographs”

1965 - Peter Hill Beard: “The End of the Game”; Emmet Gowin: “Concerning America and Alfred Stieglitz, and Myself”; Kikuji Kawada: “The Map”; Helen Levitt: “A Way of Seeing”

1966 - Walker Evans: “Many Are Called”; Edward Ruscha: “Every Building on the Sunset Strip”

1967 - Ugo Mulas: “New York: The New Art Scene”; Andy Warhol: “Andy Warhol’s Index (Book)”

1968 - Danny Lyon: “The Bikeriders”

1969 - Garry Winogrand: “The Animals”

1970 - Bernhard und Hilla Becher: “Anonyme Skulpturen”; Bruce Davidson: “East 100th Street”; Lee Friedlander: “Self Portrait”; Jacques-Henri Lartigue: “Diary of a Century”

1971 - Nobuyoshi Araki: “Sentimental Journey”; Larry Clark: “Tulsa”; Danny Lyon: “Conversations with the Dead”; Lucas Samaras: “Samaras Album”

1972 - Diane Arbus: “Diane Arbus”; Pierre Molinier and Peter Gorsen: “Pierre Molinier, lui meme “; Daido Moriyama: “Bye, Bye Photography, Dear”

1973 - Michael Lesy: “Wisconsin Death Trip”; Bill Owens: “Suburbia”

1974 - Robert Adams: “The New West”; Lewis Baltz: “The New Industrial Parks near Irvine, California”; Ralph Eugene Meatyard: “The Family Album of Lucybelle Crater”

1975 - W. Eugene Smith: “Minamata”

1976 - William Eggleston: “William Eggleston’s Guide”; Lee Friedlander: “The American Monument”; Susan Meiselas: “Carnival Strippers”

1977 - Mike Mandel and Larry Sultan: “Evidence”

1979 - Lisette Model: “Lisette Model”

1983 - Larry Clark: “Teenage Lust”, Gilles Peress: “Telex Iran”

1985 - Jim Goldberg: “Rich and Poor”

1986 - Nan Goldin: “The Ballad of Sexual Dependency”; Bruce Weber: “O Rio de Janeiro”

1987 - Bill Burke: “I Want To Take Picture”; Joel Sternfeld: “American Prospects”

1989 - Joan Fontcuberta and Pere Formiguera: “Fauna”

1990 - Allen Ginsberg: “Allen Ginsberg Photographs”

1991 - Lothar Baumgarten: “Carbon”

1994 - Christian Boltanski: “Menschlich”

1995 - Richard Prince: “Adult Comedy Action Drama”

1996 - David LaChapelle: “LaChapelle Land”

photo-eye Bookstore | Pamela Pecchio: 509 | photobook
509
Photographs by Pamela Pecchio. Daniel 13 Press, 2010. Unpaged, Color illustrations throughout, 9x12”.

photo-eye Bookstore | Pamela Pecchio: 509 | photobook

509

Photographs by Pamela Pecchio. 
Daniel 13 Press, 2010. Unpaged, Color illustrations throughout, 9x12”.

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